Classic motors are a sight to behold, and more Indians are in their hopeless thrall than ever
Madan Mohan is on his way to a ‘rajbari’ in West Bengal, his third trip to the obscure village dominated by a neo-classical mansion. His objective: to persuade the maharani to sell her late husband’s 1933 Rolls Royce 20/25 Limousine. But this trip is special: Mohan has with him a brand-new Toyota Corolla, a gift for the maharani, who has no transport around the Naxal-dominated region, since the Rolls Royce is mouldering away steadily. She is pleased by the thoughtful gesture and decides to part with her husband’s heirloom—unto hands that will lovingly restore it to its glistening glory. Mohan, an industrialist who has bought many vintage cars from India’s former royalty, often lends them from his restored collection for ceremonial use. All collectors have tales from their long trails, and this is a backstory from Mohan’s collection of 287 vintage and classic cars. He’s not alone in his quest. There is a new fleet of Indians who are investing money and time in classic motors. “There has been a marked increase in the zeal around collecting vintage cars, and a great deal is owed to the increasing exposure the hobby has got,” says collector Nitin Dossa, president, Vintage and Classic Car Club of India. One enabling reason is the government’s 2013 decision to lift the ban on importing cars of a 1950 vintage or older. “Even with a daunt ing 220 per cent import duty, people are bringing in cars,” says Vineet Gupta, director, Statesman Vintage Car Rally. “They are well within the reach of many more and no longer restricted to royal families or army officers,” he says. The Statesman rally—a bastion of lovers, admirers and owners of these exquisite artefacts—saw 34 new entries this year—a significant hike, says Gupta.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee