A couple of hours from San Francisco, a Dutch Renaissance man truly lived the tech industry’s creation myth—and invented the flying saucer.
An idyllic ease permeates California’s Carmel Valley. Wealthy people have built ranch-style houses into the mountains, giving them views of the Pacific on one side and pine and cypress forests on the other. It’s neither too hot nor too cold, and the fresh ocean air makes you feel calm inside. These conditions, which give big ideas room to grow, have attracted artists to the area, as well as retirees who want to meditate on the good life. But every now and then, the gentle rhythm of this place gets disturbed. Someone’s perfectly manicured existence goes in a turbulent, unexpected direction.
For some people, it’s a real estate shock. For others, it’s an earthquake or—God knows—a wildfire. For Randy Hunter, a local art dealer, that moment arrived in 2008. The financial crisis had come to paradise. Artists and galleries accustomed to a steadyish stream of wealthy collectors fell on hard times. Things got bad enough that Larry Fischer, the owner of a sculpture foundry, decided to auction off pieces he’d held on to for years to help make ends meet. Ahead of the auction, he invited Hunter to come see if there was anything he liked. He guided his friend through the gritty warehouse toward a collection of bronze sculptures he thought might be of particular interest.
He chose well. The first sculpture Hunter saw, Up With Life, was a foot tall and depicted an adult’s face morphing vertically into a hand cradling an infant. Fischer explained that the sculpture, made by an unknown artist named Alexander Weygers after World War II, represented humanity rising up to find hope in the darkest of times. Its beauty overwhelmed Hunter, leaving him giddy and a little dazed. “I freaking started crying,” he later said. As he surveyed the room and saw one magnificent work after another, Hunter knew he had to have them. “I bought the whole collection of 30 Weygers statues.”
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