Taylor Swift’s dressing room smells like Madonna. It’s thanks to a scented candle presented by the old queen of pop to the new, after Swift commented on the aroma of madge’s own chambers. “But hers has a hint of eucalyptus mist, too,” says Taylor. “I don’t have the wherewithal to work a steamer – it seems very complex.” As we speak, a display of alien-looking purple flowers arrives from Mary J Blige. Also delivered this morning was a presentation box of m&m’s imprinted with the images of Swift’s two cats. “I am freaking out about them,” she says, zipping across the room. “I sent pictures to all my friends.” She plops back down on the sofa. “So... that’s my dressing room vibe!”
We’re backstage at the 1989 Tour, the blockbuster arena spectacular in support of Swift’s world-beating album of the same name. This is the fourth of an unprecedented five sold-out nights at LA’s Staples Center, and Swift is loving every minute. “I was thinking about this yesterday and it hit me: I don’t want this tour to end. Ever,” she says. “And that’s never happened to me before.”
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