Half a decade ago, filmmaker Paul Soriano was answering curious questions from film students of the De La Salle-College of St. Benilde about his movie Thelma—a Filipino sports drama that tells the story of a young Ilocano woman (Maja Salvador), who takes her running talents to Manila to help her family.
An undergrad asked Soriano how he did it. The reply was expected: the film director had to ride a helicopter to create the shot he wanted, making it the most expensive scene of the movie.
Today, drones or UAVs (unmanned aerial vehicle), have found a way to allow not only professional videographers and photographers, but also amateurs and hobbyists, to capture aerial images in a less costly manner. Flying a drone may seem daunting, but it’s undoubtedly easier than riding a helicopter. In fact, it’s as simple as answering what, where, when, and how.
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