Riding the brakes bumper to bumper down Thirty-fourth Street, at last we cross Second Avenue and our father toes the gas and spins the giant steering wheel, mahogany and fit for a ship, for that’s what this metallic pink-champagne-colored Cadillac Fleetwood Brougham is: an eighteen-and-a-half-foot urban yacht, and the least practical vehicle imaginable for sailing through bankrupt, crimeridden, late-nineteen-seventies New York City. We follow the slight curve of the down ramp until we’re sucked into the mouth of the Midtown Tunnel with a whomp, and the pressure changes as the car descends, the soundscape becomes tamped down, interiorized, like when we jump into the pool and hear the thud of blood in our ears. Kneeling by the window, because there are no seat belts to prevent us, we see the grimy white wall tiles smear past in a dizzying, almost nauseating way; even the light is grimed and fluorescent-dim, flickering to the tune of a seizure.
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ART OF STONE
\"The Brutalist.\"
MOMMA MIA
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INTERNATIONAL AFFAIRS
\"Black Doves,\" on Netflix.
NATURE STUDIES
Kyle Abraham's “Dear Lord, Make Me Beautiful.”
WHAT GOOD IS MORALITY?
Ask not just where it came from but what it does for us
THE SPOTIFY SYNDROME
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THE LEPER - LEE CHANGDONG
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YOU WON'T GET FREE OF IT
Alice Munro's partner sexually abused her daughter. The harm ran through the work and the family.
TALK SENSE
How much sway does our language have over our thinking?
TO THE DETECTIVE INVESTIGATING MY MURDER
Dear Detective, I'm not dead, but a lot of people can't stand me. What I mean is that breathing is not an activity they want me to keep doing. What I mean is, they want to knock me off. My days are numbered.