How do artists look at the landscape? More particularly, how do they look at it in a way that makes others look twice and begin to digest their interpretation? Drawing is really turbo-charged looking, looking with intent in order to show others what you see. Skill in draughtsmanship is the first pre-requisite, but, without an idea, it’s hard to get beyond the predictable.
Tor Falcon’s ‘Rivers of Norfolk’ series comprises a set of more than 200 drawings made between 2016 and 2019. She explores the network of unexceptional and, for the most part, unheard-of rivers that reticulate Britain’s fourth-biggest county.
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Tales as old as time
By appointing writers-in-residence to landscape locations, the National Trust is hoping to spark in us a new engagement with our ancient surroundings, finds Richard Smyth
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There's orange gold in them thar fields
A kitchen staple that is easily taken for granted, the carrot is actually an incredibly tricky customer to cultivate that could reduce a grown man to tears, says Sarah Todd
True blues
I HAVE been planting English bluebells. They grow in their millions in the beechwoods that surround us—but not in our own garden. They are, however, a protected species. The law is clear and uncompromising: ‘It is illegal to dig up bluebells or their bulbs from the wild, or to trade or sell wild bluebell bulbs and seeds.’ I have, therefore, had to buy them from a respectable bulb-merchant.
Oh so hip
Stay the hand that itches to deadhead spent roses and you can enjoy their glittering fruits instead, writes John Hoyland
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