I love drawing happy, engaging characters that capture the audience’s attention. It’s the character’s attitude that should convey their personality, rather than their clothes or the things they’re doing. I want to paint a scene with movement, and avoid creating a static image.
For ImagineFX’s cover, I want to portray a fun, eye-catching character. The colours, together with the character, are the driving force and deciding how to put them together is a crucial step when you’re being bold in your art. I know the background is going to be bright yellow and so I apply basic colour theory and take things from there. I focus on pinkish and purplish colours to create the tension of complementary colours and gradually build up the piece. Similar to the process I use to build up an image, choosing the right colours can be made easier if you step back and think of the big shapes first, and add the details later.
Here I’ll share my colouring process for this piece and show you how easily it can be done. The majority of the art is done with one brush, which shows that it’s not about having fancy tools. Rather, it’s understanding how to apply interesting shapes and colours.
I’ll take you through my ideas process and how to choose the colours early on. I’ll also show you how I build up an image using flat local colours, before bringing it all together at the end.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world