Playing with shapes, colour, and lighting is like meditating. So I often carry my iPad with me and take inspiration from everywhere. I look around and figure out what’s worth “stealing”. It can be a question that occurs to me, an event, eating food, and so on. Ideas are everywhere. I believe that nothing’s new. Everything is about copying, combining, and transforming.
I love cyberpunk, but not the gloomy part. As technology plays an increasingly significant role in our lives, I always wonder how humans interact with AI, robots, and mechs.
This genre enables me to imagine and express mechanical shapes, experiment with the big, medium, and small forms, and paint colourful elements such as neon signboards and hologram advertisements.
For this workshop, I’ll explain my process from doodling to concept design, how I made decisions, and how the plan evolved along the process. I spent around four hours on this and mainly focused on the overall shapes, colour and lighting.
I doodle thumbnails with negative space, sometimes colour blocking. I use colour picking from references and reuse my existing artwork with clipping masks to create the base color and lighting. Occasionally, I’ll photo-bash elements if required. More details in the steps below…
1 Doodle with negative space
This is my default method of exploring shapes. This is a fun way to stay loose and abstract. I can play around with big, medium, and small shapes while keeping the composition and basic functionality in mind. I’m always fascinated by how many ideas we can extract from just observing the negative space of a subject.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
PAINT EPIC BATTLES IN TRADITIONAL INK
Warhammer illustrator THOMAS ELLIOTT shows you how to create an epic science fiction fight scene with this step-by-step guide
CONJURE MAGIC ILLUSTRATIONS
Daria Anako demonstrates her process for creating a whimsical piece of art with some spellbinding touches
First Impressions
We discover the early influences that inspired the artist
ZBrush for iPad
GAME CHANGER The desktop version of popular 3D sculpting software ZBrush has been redesigned for iPad - and it's brilliant
BenQ GW2786TC
GET AN EYEFUL Don't scrimp out on your health with a monitor that's kind on the eyes and good for creative tasks
Huion Kamvas Pro 19
TABLET WARS An attractive pen display does an excellent job of balancing price and performance as it sets out to challenge its rivals in the mobile marketplace
DRAGON OFORCEC
Legendary D&D artist Larry Elmore explains the keys to crafting timeless fantasy art.
DUNGEON MASTERS
ImagineFX marks the milestone 50th anniversary of the launch of Dungeons & Dragons with a look at its rich tradition of illustration
Erik Ly
Gamer's haven Why the artist enjoys a maximalist aesthetic more than the minimalist approach.
2D meets 3D: How the workflows are merging
Interdimensional As VFX and animation evolve and tools become more accessible, Tanya Combrinck asks whether the separation between the mediums is reducing