WORKSHOP BRUSHES
CLIP STUDIO PAINT
DEFAULT BRUSHES: MAPPING PEN
Very high pen pressure sensitivity - great for producing lines with varying thickness.
G-PEN
General use pen, lower pressure sensitivity, good for filling in spot blacks quickly.
Manga is a diverse medium that encompasses a wide range of styles and genres; it is complex and ever-evolving, pushed by the skills and imagination of the mangaka who continue to take the medium to new heights, exploring intense themes and analysing the human condition. But sometimes, you just want to see anime girls kicking the crap out of their enemies.
We'll be looking at some fundamental drawing techniques, practised widely by mangaka and comic artists, that will help you to apply a sense of movement, force and impact to your manga artwork. Crucially, we will focus on how to apply this sense of movement to your character first. An overabundance of action lines is a classic stereotype in manga, and though they can be used to great effect, you should never rely on them as a crutch. Apply extra movement lines to the background if they are warranted, but consider beforehand: how much force do you want to show in this scene? Is the force enough to justify removing the environment entirely, in favour of action lines?
This tutorial will show you how making use of ‘S’ curves, foreshortening and line weights (rather than relying solely on speed lines to imply movement) in your character drawings can result in more effective, convincing action scenes. We will also cover the tools pre-packaged with Clip Studio Paint that can help to streamline the creation process.
1 Initial sketch
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This story is from the {{IssueName}} edition of {{MagazineName}}.
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Jan Wessbecher
Dominic Carter talks to the visual artist about creating his own comic and why sketchbooks are great for creative experiments
Kyounghwan Kim
The Korean character concept artist speaks to Dominic Carter about staying open to ideas and the value of drawing regularly
Slawek Fedorczuk
Dominic Carter talks to the concept artist about what keeps him motivated and the advantages of using physical sketchbooks.
Raquel M. Varela
Raquel is inspired by magic, fantasy and fairy tales. She loves designing female characters from distant worlds. \"My greatest reference is Loish's art, thanks to her I learned to draw the movement and fluidity I like to convey.\"
Estrela Lourenço
Estrela is a children's book author and illustrator. Her work is influenced by her background in character animation and storyboards for clients such as Cartoon Network, and she channels comic strips like Calvin and Hobbes.
Daria Widermanska
Daria, also known as Anako, has been drawing for as long as she can remember. Inspired by Disney and classic anime, she loves creating new characters and often finds that a single sketch can spark a unique story.
Allen Douglas
Allen has been painting professionally since 1994 for the publishing and gaming industries. Inspired by folklore, he distorts the size, relationships and environments of animals, and calls his paintings 'unusual wildlife'.
Thaddeus Robeck
Thaddeus has been drawing from the moment he could hold a pencil, but it was the 2020 lockdowns that gave him the time to focus on honing his skills.
DRAW FASCINATING SYMBOLIC ARTWORK
Learn how JULIÁN DE LA MOTA creates a composition from his imagination with a focus on crafting figures, volumetric modelling, and light and shadow
First Impressions
The artist talks about his journey into the mythological world