From The Book Here Is Real Magic
I became a magician by accident. When I was nine years old, I learned how to make a coin disappear. I’d read The Lord of the Rings and ventured into the adult section of the library to search for a book of spells—nine being that curious age at which you’re old enough to work through more than 1,200 pages of arcane fantasy literature but young enough to still hold out hope that you might find a book of real, actual magic in the library. The book I found instead taught basic sleight-of-hand technique, and I dedicated the next months to practice.
At first the magic wasn’t any good. At first it wasn’t even magic; it was just a trick—a bad trick. I spent hours each day in the bathroom running through the secret moves in front of the mirror. I dropped the coin over and over, a thousand times in a day, and after two weeks of this my mom got a carpet sample from the hardware store and placed it under the mirror to muffle the sound of the coin falling again and again.
I had heard my dad work through passages of new music on the piano, so I knew how to practice—slowly, deliberately, going for precision rather than speed. One day I tried the illusion in the mirror and the coin vanished. It did not look like a magic trick. It looked like a miracle.
One of the lessons you learn very early on as a magician is that the most amazing part of a trick has nothing to do with the secret. The secret is simple and often dull: a hidden piece of tape, a small mirror, a duplicate playing card. In this case, the secret was a series of covert maneuvers to hide the coin behind my hand in the act of opening it, a dance of the fingers that I learned so completely I didn’t even have to think. I would close my hand, then open it, and the coin would vanish not by skill but by real magic.
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