Spoiler warning! A funny thing happened at the end of M. Night Shyamalan’s Split. Before Bruce Willis’ David Dunn appeared, a naggingly familiar theme teased at the neck hairs. Is that the music from…? Audiences who didn’t immediately recognise the melody could be forgiven, of course.
Ask anyone for the definitive superhero themes and they might give you the romantic, muscular or groovy themes from Superman, Batman, the Avengers or Guardians Of The Galaxy. James Newton Howard’s score for Shyamalan’s Unbreakable (2000) is less celebrated, perhaps due to its reserve, non-franchise attachments, or – shockingly – out-of-circulation status. But if the almost subliminal recognition sparked by Split’s climax is any indication, it ranks among the big-hitters on its own terms.
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