Melodic Masters
Total Guitar|December 2018

TG profiles some of rock’s greatest guitarists as we aim to help you improve that oft-overlooked yet vital element of soloing… the melody!

Charlie Griffiths & Chris Bird
Melodic Masters

Guitar solos. We all want to play them, right? And we probably all wish we were better players too. Yet, exactly what makes a better player and soloist is highly debatable. Should you shred, or do you aim for something simpler? Do you opt for familiar pentatonic scales, or would something more tuneful be better suited to the music? This month we’ve produced a selection of lessons that will help you write more melodic solos and develop your feel. By taking a look at the styles of some of rock’s finest feel players we’ll help you take a more thoughtful and tuneful approach to your solos. Turn the page to get started.

01 BRIAN MAY

Start your journey to tasteful, tuneful soloing with a look at the signature style of Queen great, Brian May

Famed for playing his own home-designed and built guitar, it’s perhaps unsurprising Brian May’s tone seems to be so hard to reproduce. Tonal challenges aside, any player can learn from Brian’s style. Pre-bends are one of his secret weapons. Bending up to pitch before you pick may not sound remarkable, but it allows you to add vibrato below the pitch of the note you’re playing – not possible with a standard fretted note, where vibrato raises the pitch. Brian’s virtuosity allows him to play long, winding scale runs. We’re looking at both of these aspects of his guitar style here.

02 SLASH

Guns n’ roses’ les paul-toting lick-meister knows a thing or two about melodic soloing

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