HOW ARE DYES BROADLY DIVIDED AND WHAT ARE THEIR KEY ATTRIBUTES?
Dyes are broadly divided into natural and synthetic. Dyes on textiles need to be tough, resistant to light, washing, rubbing and perspiration. Synthetic dyes are therefore designed by chemists to be recalcitrant. While this is good for fastness, it prevents them from degradeding in effluent treatment plants. Natural dyes need a mordant to colour textiles (indigo is an exception). The dye-mordant complex bestows the coloured textile with its fastness property. The natural dyes and tannin mordants are biodegradable.
Synthetic dyes exhibit very little batch-to-batch variation, and have defined and reproducible light absorption spectra. This makes blending of different coloured dyes of the same chemical class straightforward. Colour matching and reproducibility is easy with synthetic dyes.
Natural dyes, on the other hand, are a mixture of colourants whose composition varies from harvest to harvest. The nature of the colourant also changes during post-harvest storage, during extraction and post-extraction storage, for e.g., the living plant tissue of Indian madder contains the red colourant called galiosin. The sugar molecules are progressively cleaved after harvest to generate an intermediate red colorant-pseudo purpurin, which slowly decays into the third red colourant purpurin. To complicate matters further, Indian madder has another yellowish red colorant munjisthin which has inferior dye properties.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
All About Dressing As You Want
A. Das uncovers the current trend which is all about dressing as you want. Easy, over-sized, baggy fits and unstructured cuts are ruling every wardrobe.
Online Shopping Likely To Reach $1.2 Trillion By 2025
Market Watch
Weaving A Sustainable Future
Brinda Gill talks to Ashita Singhal, awardwinning weaver, designer and social entrepreneur, and founder, Paiwand Studio, who is committed to converting textile waste into new, meaningful textiles.
Summer of 2022
Heer Kothari walks our eager onlookers through the runways of New York, Milan and Paris, exploring the nuance of summer styling for men in 2022
Journeying for the Joth
Brinda Gill drafts the interesting journey of Vinay Narkar, a textile designer and revivalist based in Solapur, spared no effort in the pursuit of joth, one of the lost weaves of Maharashtra, and reviving it.
Go Digital - Get Organised Reshamandi Style!
Heer Kothari explores India’s first and largest market-place, digitising the natural textile supply chain. It is a full stack ecosystem in the form of a super app, starting from farm to fashion.
Erotissch – Stitching differently
Chitra Balasubramaniam explores Erotissch, a brand by women for women, based on the concept of ‘Bed to street wear'.
Colourful Fable
A. DAS interviews Karan Torani to find out the inspiration behind the designs of his label Torani and his thoughts on it being widely welcomed and connected well.
Going #PLUS
Heer Kothari explores the growth of the Plus Size apparel segment in India.
Endorsing Desi Oon
Brinda Gill discovers India’s indigenous wools, locally called Desi Oon, which hold potential for use in the apparel industry