Boglioli’s Creative Director Speaks About Social Media and the Creative Process With the Modern Pop Artist.
DAVIDE MARELLO: We have the same taste in images: old portraits from the 19th century. You seem to have a similar approach in some of your works but in a contemporary way.
IGNASI MONREAL: Yeah, I think that was the connection. I found your Instagram a long time ago—that’s how we met. I’m obviously very into portraiture, and, being Spanish, I take influence from many artists like [Diego] Velázquez, and [Francisco] Goya, and all the old-school painting masters. I really liked your inspiration photos. The paintings! You’re really good with color.
DAVIDE: [Laughs.] Am I? I don’t know. It’s something that comes naturally.
IGNASI: Exactly. I found that fascinating.
DAVIDE: It’s really fun how social media melts people together. It can be a good connector for art and creative minds. I follow a lot of photographers or artists; they all inspire me.
IGNASI: Yeah, it definitely helped me a lot. That’s how I got all my jobs and everything. Thanks to Instagram, I make a living out of this.
DAVIDE: [Discovery] is no longer about going to a museum or an exhibition.
IGNASI: But because it’s so immediate, whenever I do something that I know is going to end up on Instagram, I don’t overthink it. It helps to have a creative flow and be funny.
DAVIDE: That’s also something that I really like about you. You’re never taking anything too seriously; there’s always a bit of humor in your work.
IGNASI: It’s better to laugh than to cry.
DAVIDE: Sometimes—in art and fashion—we take ourselves too seriously, and I think that, right now in this moment, we need to laugh a bit about things.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
SCENT SELECTION
Since its first fragrance launched in 1981, Versace has released an extensive catalog of tantalizing scents that provide a vibrant sensory component to the designer’s extravagant clothing.
SOLE PATROL
Proenza Schouler designer duo Jack McCollough and Lazaro Hernandez returned to New York for Spring/Summer 2020 after a brief stint in Paris with a fresh collaboration.
THE ART OF SEXY
Fernando Garcia, co-creative director at both Monse and Oscar de la Renta, designs for two industry opposites.
DELUXE EDITION
The first release of the Prada for Adidas Limited Edition partnership is emblematic of the connection between the two ubiquitous brands.
AMERICAN POP STORY
It’s no secret that Coach’s creative director Stuart Vevers is obsessed with America.
A CHANGE OF PACE
With the release of The Slow Rush, Kevin Parker continues his meteoric rise.
PACK YOUR BAGS
A number of Louis Vuitton classics, including the Keepall bag and Horizon luggage, have been updated in the latest Taigarama collection.
Shots Of Versace
How photographer Doug Ordway became instrumental in developing Versace’s opulent image.
LE RÉEL MERVEILLEUX
Jean-Michel Othoniel instills his work with sensory revelations plucked from the real world.
The King Of Knitwear
John Targon is doing it all again.