ELIZABETH GABRIELLE LEE
“I’m interested in the notion of slow violence,” says Elizabeth Gabrielle Lee. The term, which was originally used to describe violence on the climate, has been borrowed by the 26-year-old to apply to postcolonialism and how it influences the spaces we live in. Space is an especially important part of this equation – Lee, a Singaporean, lives and works in London.
Her most recent and ongoing work, We’ve Got The Sun Under Our Skin, is a photographic series that inverts the colonial gaze. It’s based on colonial literature about Malaya from the 1800s by British ethnologists and anthropologists who were recording the region’s people, flora and fauna. “The language is alarming. Landscapes, women and people were fetishised,” Lee says of the texts she found.
She proceeded to tear pages from these source texts, scrawled out portions of it – leaving in relevant passages – then set to work lensing these subjects in her own way. “In a primal sense, it felt like I was trying to reclaim these landscapes and people,” she says.
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She Calls The Shots
Since The 2000s, Rihanna Has Been Making Dance Floors Work, Work, Work With Her Infectious Electronic And R&b-inflected Pop Hits. For Another Side To Her "Queen Of The Night" Persona, There's Her Role As The Latest Face Of Dior's J'adore Perfume And Its Accompanying Campaign Film. Shot By Her Long-time Friend Steven Klein, It Features The Barbadian Baddie Striding Through The Gilded Halls Of The Palace Of Versailles Dripping In Gold. Here, She Shares More About How The Famously Feminine Fragrance Embodies Celebration.
GOOD VIBES
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THE PARTY EDIT
Club-appropriate hits from the Resort 2025 collections
THE VIPS
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THE NIGHTS
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THE SOUNDS
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A Not So Common Scent
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Strange Love
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spirited away
Collaborations with the art world have become a trusted way of injecting novelty into fashion.
