One day when Anika Collier Navaroli was in middle school, her mother took her on a trip to the supermarket in their Florida hometown. On their way, a man driving a pickup truck with a Confederate flag on the back veered onto the sidewalk and yelled racial slurs at them. Navaroli and her mother quickly ran inside a store, where they called the police and waited for help to arrive-while the truck sat parked outside. "This person had parked their car, gone on shopping," Navaroli recalls, still mystified. "The cops basically told my mother and I that there was nothing they could do because there was no crime that had been committed and that this person had the First Amendment right to say and do what they had done," she explains. But the experience stuck with her. "It really started something in my brain, trying to understand the interpretation of the First Amendment and free speech that could allow or condone or make room for these sorts of experiences that were incredibly violent and incredibly dangerous."
It's a question Navaroli would dedicate her career to exploring. After graduating from the University of Florida, she earned her law degree at the University of North Carolina and studied journalism at Columbia University, where she wrote her master's thesis, "The Revolution Will Be Tweeted," on the role of social media in movements like Occupy Wall Street. Her interest in free speech and technology eventually led her in 2019 to Twitter, where she was hired to help improve the company's content moderation and conduct policies. But in the months leading up to the 2020 U.S.election, that work became increasingly complex to navigate.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Epic VISION of BARBARA CHASE-RIBOUD
With a MONUMENTAL new EXHIBITION in Paris, the Americanborn ARTIST looks back on a CREATIVE LIFE spent thinking BIG
She's a FREE SPIRIT and an OLD SOUL, a Disney Legend and a Grammy winner.ONE THING MILEY CYRUS is NOT INTERESTED in? Being PREDICTABLE.
Miley Cyrus is sitting in front of the stone-walled fireplace in her house in Los Angeles, holding up two coffee-table books.
Routine HABIT
How executive editor LEAH CHERNIKOFF found a SKINCARE REGIMEN she could finally COMMIT to
LIFE of the PARTY
Dance the night away with looks inspired by PARTY MAKEUP of the PAST. Grab BLACK EYELINER and lots of GLITTER, but leave perfection at the door. Here, how to re-create the coolest EYES, LIPS, and FACE for any FESTIVE OCCASION.
RETAIL Therapy
SHOPPING TODAY often feels more like mindless SCROLLING than BUYING something because it makes you feel SPECIAL. One writer discovers the beauty of a more PERSONAL, CUSTOMIZED EXPERIENCE.
CREATIVE Powers
In this edition, our columnist, DEREK C. BLASBERG, visits the PARIS STUDIO of the inimitable artist SETSUKO KLOSSOWSKA DE ROLA, who was married to one of the most celebrated painters of the 20TH CENTURY and has always approached LIVING her LIFE as if she were CRAFTING a MASTERPIECE
BIRTH Story
NEW MOTHERHOOD is often depicted as a BEATIFIC and BLISSEDOUT EXPERIENCE. Writer SARAH HOOVER'S JOURNEY couldn't have been further from it. In her new MEMOIR, she offers an unflinching LOOK at her STRUGGLE with severe POSTPARTUM DEPRESSIONand how she EMERGED from it.
What WORDS Are FOR
We have been LIVING in “UNPRECEDENTED TIMES\" for 25 years. KAITLYN GREENIDGE reflects on what it means to write through a NEW REALITY.
Tipping POINT
When the PROGRESSIVE A-LIST CLIENTELE of the fashionable workout BALLET BEAUTIFUL learned that its FOUNDER was MARRIED to an ARCHITECT of the MAGA BLUEPRINT to impose an ultraconservative social agenda, PROJECT 2025, many felt SHOCKED and even BETRAYED
SABATO's Way
hor GUCCI creative director SABATO DE SARNO, remaking the storied Italian HOUSE for a NEW ERA isnt about OUTRUNNING its PAST. ts about MAKING some HISTORY ofhis OWN.