Looking Ahead

After being catapulted into global stardom as a teenager in ‘The Twilight Saga’, Kristen Stewart moved on to more challenging roles in independent films. Now, as she returns to the mainstream with ‘Charlie’s Angels’, she opens up about her fluid sexuality, directorial debut and finding the freedom to be herself.

- Sophie Elmhirst

In a vast downstairs ballroom in the Shangri-La Hotel in Paris, I can hear Kristen Stewart before I see her, changing behind a patterned screen in a far corner.

Her voice is distinctive—that easy, low-rolling Californian accent, where all the words run together, and she sounds like nothing could surprise her.

When she finally emerges to go and have her picture taken on a balcony with the Eiffel Tower rising up behind her, she is in perfect contrast to her delicate, gilded surroundings. Her hair is a black-blonde swipe across her forehead, and she’s wearing floor-length black velvet, a black bow at her throat, as befits her status as a Chanel ambassador. She walks past, a bold swaggering walk, and smiles. “Yeah,” she says, seeing my face. “It’s intense. It’s a lot of look.”

Soon enough, she’s back and changed. Ripped jeans, white T-shirt, bare feet: her more natural state. We talk on a warm terrace, cross-legged on sofas. I don’t know why I expected her to be reticent or shy, but probably because how she comes across in photographs when her expression sometimes seems deadpan, reluctant to give anything away. Or perhaps it’s just how we all remember her from the Twilight years as the permanently tortured, lovesick Bella Swan. “I try to avoid the word ‘awkward’,” Stewart says, remembering that time. “I want to reclaim that word because it’s been used too violently against me.”