Wabbani wants to connect indigenous craftspeople with customers worldwide.
IT’S SAID THAT a journey of a thousand miles begins with a single step. For Wabbani, every finished product that arrives in St. Louis starts with a single action—cutting reeds, digging clay, and harvesting cotton—carried out 3,000 miles away, in Guyana, South America.
Wabbani is a for-profit social enterprise that seeks to connect artisans in remote areas with customers around the world through handmade add-ons that fit IKEA’s Bjorket, Ekestad, Grimslöv, and Torhamn cabinet lines— or any Shaker-style cabinet with panels that are recessed more than 1⁄8 inch.
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Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
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With the help of interior designer Robert Idol, a Kirkwood couple creates a home that pays homage to the past, yet feels just right for their modern young family.
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"Food Raconteur” Ashok Nageshwaran wants to tell you a story.
The Right Move
New shops and showrooms bring exciting opportunities for local designers, makers, and arts organizations to sell their wares to home enthusiasts here and everywhere.
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Painter and gardener Lauren Knight branches out.
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Chris Mower of White Stable Farms discovered the Japanese style of gardening in Italy. Now, he’s bringing it to St. Louis.
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Letters, icons, and illustrations that speak in a hand-drawn language
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Audra Noyes, of the Saint Louis Fashion Fund Incubator’s first class, opens an atelier in Ladue.
