An everyday object turns into a work of art in the hands of Justin King.
If you happened to be walking along South Grand near Ritz Park last March, it’s likely that you saw a 6-foot duck, constructed entirely of cardboard, perched on the sidewalk for a few days before succumbing to the elements. The sculpture, titled Carl, was the work of Justin King, a local artist who specializes in large-scale cardboard structures.
“The duck was kind of a turning point for me and my work,” he says. “It got a lot of attention, and while it didn’t last long, because of the snow, it helped spread the word about what I do.”
Since then, King has been commissioned to create more of his unique sculptures, as well as an underwater-themed miniature golf hole—complete with a life-size scuba diver and 20-foot-long octopus—for this summer’s “Golf the Galleries” at The Sheldon.
WHAT IS THE PROCESS OF MAKING A GIGANTIC CARDBOARD OCTOPUS?
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
Color Block
A background in sculpture trained artist Aly Ytterberg to see objects more fully.
A Modern Story
How a little log cabin went from being a home to a guest house
IN GOOD TIME
With the help of interior designer Robert Idol, a Kirkwood couple creates a home that pays homage to the past, yet feels just right for their modern young family.
Let's Dish
"Food Raconteur” Ashok Nageshwaran wants to tell you a story.
The Right Move
New shops and showrooms bring exciting opportunities for local designers, makers, and arts organizations to sell their wares to home enthusiasts here and everywhere.
Green Dreams
Painter and gardener Lauren Knight branches out.
Cultivating Kokedama
Chris Mower of White Stable Farms discovered the Japanese style of gardening in Italy. Now, he’s bringing it to St. Louis.
Graphic Mood
Letters, icons, and illustrations that speak in a hand-drawn language
AUDRA's New Digs
Audra Noyes, of the Saint Louis Fashion Fund Incubator’s first class, opens an atelier in Ladue.
