GUIDE KASSANDRA steps off a recon structed trireme warship onto a wharf at the Port of Piraeus in Athens, Greece. The wooden vessel with bronze ram at the bow is powered by 170 oarsmen. Such ships were commonplace in the fourth to seventh centuries BC at the port, which has served Athens since ancient times.
Kassandra, decked out as a fifth-century mercenary, doesn’t break character to reveal her last name. She walks along a series of straight, cobblestone streets, passing wooden carts filled with bundled sacks, a blacksmith tending his anvil and ladies making rope amidst the sounds of lapping waves, the distant ringing of buoy bells and gulls squawking. As she reaches the city’s marble district, artisans re-enact shaping slabs of white marble into statues of celebrated warriors. “They truly are masters of their craft,” says Kassandra.
“Thank you, Kassandra,” quips Benjamin Hall, as a crowd watching Kassandra’s tour on a big screen behind him in a meeting room at the Wyndham Grand Athens hotel breaks into laughter. Like Jim Carrey’s Truman Burbank in the 1998 film The Truman Show, Kassandra has no clue she’s the main character in a simulated reality. Today Hall, the Canadian-based world director of the video game Kassandra stars in, Assassin’s Creed Odyssey, is playing puppeteer with an Xbox One controller.
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