Sabyasachi on the global high street. That’s a bold new move.
Weirdly enough, I started with ready-to-wear, which only later morphed into couture. Then, people kept telling me that we love your clothes but can’t afford them. So when H&M approached me, it allowed me to correct price points and go back to doing prêt, which I always wanted to do. Now, I can connect with a global audience, over and above my existing fan base.
What was your mood board?
It started with an honest approach to what’s affected me culturally. Fleetwood Mac. Woodstock. Glastonbury. The 1970s. Kolkata, where I grew up. Safaris. Robert Redford. Simple, classic but with a sprinkling of bohemian. The collection has many personalities and moods while being genderfluid – I didn’t want to limit the wearer or blindly follow a Western dialogue. If you see the jewellery and accessories, you can’t pin them to one gender, because it’s about your personality and individuality.
But you do have a few menswear pieces.
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