Leading Light
Harper's Bazaar Malaysia|October 2018

Cate Blanchett is one of the greatest actresses of the modern era, with several dozen awards to her name and acclaimed performances ranging from Queen Elizabeth I to Blanche DuBois.In a rare interview at her home in Sussex, she talks to Lydia Slater about baking and Brexit, gardening and growing older, Me Too, motherhood, and more ...

Lydia Slater
Leading Light

Hollywood is overflowing with outsize personalities who, whatever their role, are always really playing themselves. But those actors who truly excel at their craft, so that they become the characters they play, are essentially elusive. These professional chameleons are naturally wary of revealing too much about their lives, in case the knowledge jeopardises their ability to convince on screen. Cate Blanchett is a perfect example, a modern Garbo. Despite her global celebrity, one knows so little about her. Where does she live, even? How many children does she have? What are her politics? You can’t even draw any conclusions from her roles; she segues effortlessly from children’s films, such as Cinderella, to brilliant arthouse dramas like Blue Jasmine and Carol, to populist blockbusters including The Lord of the Rings, Thor: Ragnarok, or her latest outing as a motorbike-mad conwoman in Ocean’s 8. The only consistency is that Blanchett is the best thing about the film she’s in; the silver-screen icon herself remains deliberately remote.

So I’m truly astonished when our prearranged, safely anonymous encounter at the South Bank is cancelled, and an alternative invitation extended for lunch at her family home in East Sussex.

When I arrive, on one of the hot summer’s hotter days, it is to find the place a hive of activity. Workmen are clambering over the scaffolding that covers the large period house, and the family dogs—a black labrador and a heavy-breathing pug called Doug—offer an enthusiastic welcome. I am led to a book-filled study, painted in a chic dark grey and adorned with numerous family photos. After I’ve been waiting for a quarter of an hour or so, Blanchett rushes in from the nursery-school run, dressed in jeans and slip-on shoes, full of apologies.

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