Banning Facial Recognition Isn't Impossible Courage!
New York magazine|February 3 – 16, 2020
OF THE MANY UNSETTLING ASPECTS TO Clearview AI, a shadowy facial-recognition-software company providing users access to a database of 3 billion photographs scraped from social media and YouTube, the one that has most unsettled me is the pervasive sense that there is nothing we can do about it.
By Max Read
Banning Facial Recognition Isn't Impossible Courage!

A quote from one of Clearview’s investors, David Scalzo, has been rattling around in my head since I first read it in Kashmir Hill’s initial New York Times article: “I’ve come to the conclusion that because information constantly increases, there’s never going to be privacy,” Scalzo told Hill. “Laws have to determine what’s legal, but you can’t ban technology. Sure, that might lead to a dystopian future or something, but you can’t ban it.”

Scalzo is presenting a candid expression of one of the enduring, foundational principles of Silicon Valley: The creep of new technologies is inevitable, and attempts to stop or control it are foolish. Even as the messianic confidence that characterized Silicon Valley philosophizing in the ’90s and aughts has curdled, the faith in technological inevitability has remained. The sense that we are powerless to arrest—or in some cases even direct—the ceaseless expansion of technology into our lives is somehow even stronger now that we’ve seen the negative effects of such expansion. In Silicon Valley, zealous techno-optimism has given way to a resigned but impotent techno- pessimism, shared by both fearful critics who can’t imagine an escape and predatory cynics like Scalzo, for whom the revelation of an unstoppable, onrushing dystopian future represents, if nothing else, an investment opportunity. “It is inevitable this digital information will be out there,” Scalzo later told “Dilbert” creator Scott Adams in an interview. Sure, we might be headed toward hell—too bad we can’t do anything about it!

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM NEW YORK MAGAZINEView all
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
New York magazine

Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.

WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.

time-read
6 mins  |
October 21 - November 03, 2024
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
New York magazine

Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.

SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”

time-read
10+ mins  |
September 23 - October 6, 2024
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
New York magazine

The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.

On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.

time-read
5 mins  |
September 23 - October 6, 2024
Can the Media Survive?
New York magazine

Can the Media Survive?

BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?

time-read
5 mins  |
October 21 - November 03, 2024
Status Update
New York magazine

Status Update

Hannah Gadsby's fascinatingly untidy tour through life after fame and death.

time-read
5 mins  |
October 21 - November 03, 2024
A Matter of Perspective
New York magazine

A Matter of Perspective

A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.

time-read
3 mins  |
October 21 - November 03, 2024
Creator, Destroyer
New York magazine

Creator, Destroyer

A retrospective reveals an architect's vision, optimism, and supreme arrogance.

time-read
5 mins  |
October 21 - November 03, 2024
In Praise of Bad Readers
New York magazine

In Praise of Bad Readers

In a time of war, there is a danger in surveying the world as if it were a novel.

time-read
10+ mins  |
October 21 - November 03, 2024
Trust the Kieran Culkin Process
New York magazine

Trust the Kieran Culkin Process

First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.

time-read
8 mins  |
October 21 - November 03, 2024
The Funniest Vampires on TV
New York magazine

The Funniest Vampires on TV

What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.

time-read
5 mins  |
October 21 - November 03, 2024