The second season of The Terror looks at one of the darkest periods in America’s past.
AMC’S The Terror: Infamy, a horror fantasy set against the backdrop of Japanese-American internment, is the kind of story in which metaphors turn literal. Among the most unnerving images is that of a Japanese-American man trapped on a frozen lake, the ice cracking all around him. This character is believed to have named fellow Japanese-Americans as spies to the U.S. Department of Justice, knowing they were innocent, for fear that if he’d told his bosses the truth—he didn’t know any spies—he would have lost his job and the trust of the Establishment. His accusers have cracked just enough of the ice to make it impossible for him to move without imperiling himself further. The sight of a man marooned on a sheet of ice, paralyzed by the fear that any move he makes will be the wrong one, sums up the predicament of many of this anthology series’ characters, who remain estranged from the place they’ve adopted as their homeland and can’t seem to win for losing: If they learn English, adopt local customs, and otherwise attempt to assimilate into the white-dominated mainstream, they’re viewed with suspicion, and if they keep to themselves and try to preserve some semblance of their culture, they’re viewed with even more suspicion.
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Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
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A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
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Trust the Kieran Culkin Process
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The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
