SFX|September 2016

Can the supercrims of Task Force X save DC’s faltering cinematic universe? Jordan Farley witnesses superhero cinema break bad on the Toronto set of Suicide Squad

Article Reader

When Batman V Superman was released earlier this year it didn’t just promise an epic clash of the titans, it was also the launch pad for an Extended Universe road-mapped right through to 2020. Things didn’t exactly go to plan. After a critical beat down and toxic word of mouth, BvS made a relatively under whelming $872 million at the box office, well short of the expected billion dollar benchmark, leading many to wonder what DC could do to earn back the goodwill they squandered. The answer was already in the can.

JOKER IN THE PACK?

It’s July 2015 and SFX is at Pinewood Toronto Studios, base of operations for David Ayer’s big-screen Suicide Squad adaptation. The facility’s humongous sound stages are currently home to several of the tailor-made cells for Belle Reve penitentiary’s notorious inmates, as well as a full-size train station entrance modeled on New York’s Penn Station. A massive battle between Task Force X – the super villains forced to fight for their government – and a mysterious, otherworldly threat known as the Eyes of the Adversary is due to be shot here later in the week, but today filming has moved to Buttonville Municipal Airport where the Squad, recently released from prison and freshly implanted with coercive nanite bombs in their necks, are reunited with the gear confiscated when they were thrown in the slammer.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

This story is from the {{IssueName}} edition of {{MagazineName}}.

Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.

MORE STORIES FROM SFXView all
ANCER MAHAGEMENT
SFX UK

ANCER MAHAGEMENT

WITH A NEW TRILOGY IN SIGHT, WE SPEAK TO THE DIRECTOR OF 28 WEEKS LATER THE ORIGINAL CHILLING SEQUEL TO DANNY BOYLE'S SEMINAL SURVIVAL HORROR

time-read
5 mins  |
November 2024
WHO YA CONNA CALL?
SFX UK

WHO YA CONNA CALL?

BEHIND THE SCENES AT HALLOWEEN HORROR NIGHTS FOR GHOSTBUSTERS: FROZEN EMPIRE

time-read
2 mins  |
November 2024
SPEAK OF THE DEVIL
SFX UK

SPEAK OF THE DEVIL

THE DEVIL'S HOUR STRIKES TWICE AS THE GENREDEFYING DRAMA RETURNS

time-read
3 mins  |
November 2024
SCARRY STORIES TO TELL IN THE DARK
SFX UK

SCARRY STORIES TO TELL IN THE DARK

FROM THE RETURN OF EC COMICS TO SCREAM!, THIS YEAR'S HALLOWEEN OFFERS UP HORROR COMICS FOR ALL THE AGES

time-read
9 mins  |
November 2024
UNDEADS REFLECTIONS
SFX UK

UNDEADS REFLECTIONS

NEIL JORDAN ON BRINGING ANNE RICE'S MODERN VAMPIRE CLASSIC TO SCREEN, 30 YEARS ON

time-read
6 mins  |
November 2024
MUNSTER MASH!
SFX UK

MUNSTER MASH!

PRODUCTION HELL, SHOCK RECASTING AND HOTLY CONTESTED AUTHORSHIP. AS THE MUNSTERS CELEBRATE THEIR 60TH ANNIVERSARY, WE UNCOVER HOW THE SPOOKY SITCOM WAS ALMOST DEAD ON ARRIVAL

time-read
10+ mins  |
November 2024
COMING TO AMERICA
SFX UK

COMING TO AMERICA

THE MOGWAI LIVE THE AMERICAN DREAM IN THEIR SECOND CHAPTER, GREMLINS: THE WILD BATCH

time-read
3 mins  |
November 2024
BEING HUMAN EVOLUTION
SFX UK

BEING HUMAN EVOLUTION

IT MAY HAVE BEEN AN INSTANT HIT, BUT BBC THREE'S DARKLY COMIC DRAMA ABOUT A HOUSE-SHARING VAMPIRE/WEREWOLF/GHOST TRIO HAD A STRANGE JOURNEY TO THE SCREEN, SERIES CREATOR TOBY WHITHOUSE TELLS SFX

time-read
5 mins  |
November 2024
THE MAINE EVENT
SFX UK

THE MAINE EVENT

THE DARK IS RISING IN SALEM'S LOT AS STEPHEN KING'S DEATHLESS TALE RETURNS TO THE SCREEN

time-read
7 mins  |
November 2024
WHY DON'T YOU STAY FOR A BITE?
SFX UK

WHY DON'T YOU STAY FOR A BITE?

THE VAMPIRE COMES HOME AS DIRECTOR EUROS LYN WELCOMES SFX TO HIS NEW DARK COMEDY THE RADLEYS

time-read
9 mins  |
November 2024