M -Audio’s long established BX powered monitor range is aimed at project and home users, and the latest designs are their most compact yet. Built around 3.5” (BX3) and 4.5” (BX4) Kevlar LF drivers and the same 1” silk dome tweeter, the BX3 and BX4 have identical features and very similar prices (£85 and £100) so whichever one you go for will probably boil down to size considerations as much as anything else.
The monitors are powered (2 x 25 Watt RMS) but audio inputs and mains power are supplied to one active speaker, with the second passive speaker connected via the included â…›3.5mm TS interconnect cable. Both balanced and unbalanced inputs are provided (a pair of TRS jacks and RCAs respectively).
In practice the BXs are very easy to set up and with only one power connection and stereo inputs, cabling is tidy. You can also specify left/right on the active monitor, so you can position the active speaker to whichever side suits.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates