Gareth Jones, famed for his production work for Depeche Mode, Erasure and Einstürzende Neubauten, first became acquainted with fellow producer/label boss Daniel Miller when requested to work on Mode’s 1983 synth-pop album Construction Time Again. At the end of those sessions, Jones and Miller would stay behind and playfully experiment with sounds at The Garden – then studio of synth pioneer John Foxx.
Despite naming the project Sunroof and later remixing artists including Goldfrapp, Can and To Rococo Rot, the duo refrained from releasing their own studio jams for almost 40 years. However, that changed in March 2019 following various improvisations using modular suitcases. This time they made plans to record their sessions, resulting in Electronic Music Improvisations Volume 1 – eight extemporary modular pieces recorded live in various studio spaces across London.
Can you remember the circumstances behind the two of you first meeting?
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
SONIC DESTRUCTION
From overdriven signal paths to rhythmic malfunctions, there’s plenty of creativity to be found by doing things just a little bit wrong
Feed Me
EDM producer Jon Gooch revives his cartoonish Feed Me moniker. Danny Turner finds out how the use of live instrumentation changed his production approach
Exploring Akai MPC
Leo Maymind takes a detailed look at an iconic groovebox whose influence helped shape modern hip-hop and much more besides
Liars
Dissolving the contours of rock and electronics, Danny Turner charts the making of Liars’ 10th album with Angus Andrew and Laurence Pike
Jean-Michel Jarre
The pioneering musician who introduced generations to futuristic sounds the first time around is at it again. He joins Matt Mullen to talk experiments in VR gigging, spatial audio and more...
Noise
With roots as far back as 1913, noise is the genre that’s also a state of mind
1010 Music Bitbox mk2 £549
Rob Redman finds out whether this updated sampler box of tricks contains any more surprises
Erica Synths and Sonic Potions LXR-02 £499
Rob Redman braces himself for another resurrected blast from the past
Modal SKULPTsynth SE £169
Modal are back with an update to their SKULPT synth. Bruce Aisher takes a listen to see if it can rustle up a big sound
Reason Studios Reason 12 £399
Now in both DAW and plugin realms, Reason gains a sampler and refreshed Combinator. Si Truss investigates