No question, The Dead Daisies are the domain of guitarist, aviator and Australian business magnate Dave Lowy. But this top-flight collective has always had within its ranks some esteemed collaborators, including, previous to Glenn Hughes, vocalist John Corabi as well as drummer Brian Tichy and bassist Marco Mendoza. Now onto their fifth album, titled Holy Ground, Lowy is joined by Hughes, Doug Aldrich — this is his third with the band — and drummer Deen Castronovo, making this latest lineup of the consortium their tightest yet, a fearsome foursome, as it were.
GLENN HUGHES
GOLDMINE: Congrats on the new record, Glenn. Is this a whole new lease on life for Glenn Hughes?
GLENN HUGHES: You know, for me, it’s another chapter in my career, if you will. I’m very fortunate to be able to do what I do. And joining The Dead Daisies was an opportune moment for me to express myself with my music.
GM: What surprised you about writing with these guys versus past bands? I know you’ve toured with Doug.
GH: Yes, and primarily, coming into the band, knowing Doug was there, I feel really comfortable with that. Doug played in my band five years ago for four or five months, and it was great. Doug and I had been talking about doing something like this, and here I am in this band. As you know, it’s been difficult to do anything, but we made the album exactly one year ago. And here we are; I’m talking to you.
GM: Do you feel like this is ticking off a lot of boxes for you, you know, based on the frustration level of Black Country Communion? Is this basically a neat replacement for you?
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
THE GRAND POOBAH!
SINCE THEIR INCARNATION in the early 1970s, the band Poobah have recorded over a dozen albums with various lineups, while openi ng for some of rock and roll’s biggest names.
THE MAKING OF PEARL
JANIS JOPLIN IN 1970: A NEW B AND AND THE MAKING OF HER CLASSIC ALBUM, PEARL.
There Must Have Been Something in the Water
If The Beatles never happened, if the British invasion never occurred, then music fans around the world would more than likely never have been exposed to some of the finest white blues singers that the U.K. produced between 1964 and 1970.
The SAGA Continues
SAGA WERE NOT THE ONLY band to make an album during the pandemic — far from it.
Ten Years After MORE THAN 50 YEARS LATER
DRUMMER RIC LEE TALKS TO GOLDMINE ABOUT A TEN YEARS AFTER DELUXE EDITION OF THE A STING IN THE TALE ALBUM AND HIS RECENTLY RELEASED MEMOIR, FROM HEADSTOCKS TO WOODSTOCK.
SUZI QUATRO IS BACK!
WITH A NEW ALBUM, THE DEVIL IN ME, THIS PIONEERING FEMALE ROCKER REMAINS AS DRIVEN AND DETERMINED AS EVER
RE-SHAKE & RE-MAKE
WITH THE RERELEASE OF THEIR DEBUT ALBUM, SHAKE YOUR MONEY MAKER, THE BLACK CROWES FLY HIGH BY REFLECTING ON THEIR ROOTS.
LOVE FOR PEARL
2021 will be a big year for fans of Janis Joplin. The Rock and Roll Hall of Fame in Cleveland is curating a special exhibit devoted to her that is scheduled to open in May.
Q&A WITH JANIS' SIBLINGS, LAURA AND MICHAEL JOPLIN
Q&A WITH JANIS’ SIBLINGS, LAURA AND MICHAEL JOPLIN
CHERISHING CITY TO CITY A timeless classic by GERRY RAFFERTY
It’s early 1978 and the new single by Scottish singer-songwriter Gerry Rafferty, “Baker Street,” is blasting out on the airwaves on my small transistor radio.