From backing a newly electrified Bob Dylan to carving out woody, jagged guitar lines in the Band, Robbie Robertson has been part of the fabric of American rock. And no instrument is more associated with him than the bronze-coated ’54 Strat he used on the night that Dylan, Eric Clapton, Muddy Waters and many other notable performers joined the Band for the concert known today as the Last Waltz.
Held on Thanksgiving Day, November 25, 1976, at the Winterland Ballroom in San Francisco, the concert both closed and crowned an era. For Robertson and bandmates Levon Helm, Rick Danko, Richard Manuel, Garth Hudson, the event marked the end of a touring career that had covered untold thousands of miles. As the Hawks, they’d played at Dylan’s side around the globe in 1965 and ’66, when irate fans stormed the stage in protest to their folk hero going electric. As the Band, they cut a legendary debut album at Big Pink, a house in West Saugerties, New York, and were among the artists to perform at Woodstock in ’69.
For nearly all of his time with the Band, Robertson favored Fender Telecasters for his terse but soulful playing style, but he later found his ideal match in a ’54 Stratocaster and a tweed Fender Twin. By the time of the Band’s 1976 Winterland show, the Strat had been given a bronze finish. In that guise, it would go on to become a star in its own right when Robertson wielded it at ”the concert, which was filmed by director Martin Scorsese and released as The Last Waltz. The Fender Custom Shop recreated the guitar in 2016 as the Last Waltz Stratocaster (shown here in detail photographs), a limited-edition model that reflected the original instrument as it was at the time of the 1976 concert. But as Robertson explains, he almost took a pass on the instrument that would become one of the most famous electric guitars in rock and roll history.
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PRS
PREVIOUSLY PART OF PRS's Maryland-built guitar line, the SE NF3 was recently reissued in the company's offshore-produced SE series. The SE NF3 is so named for its Narrowfield Deep Dish (a.k.a. DD) \"S\" pickups. These unique PRS-design units have deeper bobbins to accommodate more windings and extra metal pieces between the magnets to yield a more powerful \"single-coil\" tone, while remaining noise-free because they are in fact humbuckers. A control set consisting of master volume, tone and a five-way blade switch allows the usual selections of bridge, middle and neck pickups by themselves and the neck-plus-middle and bridge-plus-middle combinations that allow the SE NF3 to veer into Strat-like territory in switch positions two and four.
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