Another bolt-on PRS guitar joins the ranks, but is it the bolt-on we really want? Oh, yes…
Even though PRS introduced its first bolt-on back in 1988, the CE (originally classed the Classic Electric) has always remained in the shadow of the brand’s premier glued-in neck guitars, from the Custom to the 594. It had dropped out of production by 2009, and when it reappeared in 2016 it was slightly re-engineered to fill a gap between the newer USA S2 guitars and the start of the upmarket USA Core models. If we’re honest, we expected the revitalised CE to drop out of production after PRS introduced the Silver Sky in 2018, but instead of additions to that John Mayer model (new colours aside), we were pleasantly surprised to see a new CE 24 introduced at the start of this year. If you’re a fan of PRS’s original bolt-on platform, you’re in for a treat.
To be accurate, the ‘new’ CE 24 Semi Hollow isn’t actually new. It first appeared as the ‘Reclaimed Limited’ (along with a S2 Vela Semi-Hollow) with a peroba rosa top and brauna preto fingerboard, reclaimed woods from Brazil sourced by PRS’s senior wood manager, Michael Reid. That run of approximately 600 pieces of both guitars certainly proved that a semi-hollow CE 24 was viable and also meant any design and tooling was in place should PRS choose to offer a standard version. Which is exactly what this is. A more typical PRS: the satin finished peroba rosa is replaced with a figured maple top, slightly less dished than the original CE or indeed the Core guitars, but with natural edge ‘binding’ and solid bird inlays. This is PRS heartland.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more