For decades, Hugh Manson’s custom builds pushed what we expected from a hand-built guitar. Attention to detail and meticulous selection of woods, hardware, and components all added up to some of the finest UK-made instruments to pass through Guitarist HQ. But there was one association in particular that put the Manson name on the tip of guitar players’ tongues, and that was the long-standing relationship between Hugh, the brand, and one Matthew Bellamy.
As an upstart on the scene back in the mid-to-late 90s, Bellamy frequented Mansons Guitar Shop in Exeter, acquiring his first custom-made Manson guitar after receiving his initial advance when Muse were signed. Usually, we’d say the rest is history, but as we’ve seen since this was simply the origin of strumm-etry…
Now, in a time where our credit cards live in fear of being wiped by the magnets of a period-correct PAF clone and where accidentally scraping the finish on our guitars simply makes them more ‘vibe-y’, Manson and Bellamy turned their attentions to making the guitar do things it shouldn’t. “The guy that says, ‘I want you to build me a Strat’. What is the point?” Hugh said in 2015. “I can sell you a perfectly good reissue of a Strat. How am I going to improve on however many million have been made already? Our challenges lie elsewhere.”
Those challenges? How about fitting an X/Y MIDI controller into the body? Or perhaps you’d consider a ZVEX Fuzz Factory, a ribbon controller… maybe a Fernandes Sustainer, and a kill switch? While we’re at it, can we do lasers, too? Then we’ll talk finishes…
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more