Now 30 years into a multi-million-album-selling career, serial Grammy winner Lenny Kravitz credits his success with hits such as Are You Gonna Go My Way and Always On The Run to instinctive, from-the-gut riffing and a ‘first take’ recording philosophy. Here, he looks back on his lifelong love of guitar, the virtues of vintage Gibsons, being schoolmates with Slash and how his greatest riff was recorded with another band hammering on the studio door…
“I was five years old and my dad had this acoustic guitar in the house. I remember it distinctly. It was a nylon-string guitar that I think he’d gotten at Manny’s. It was in a soft canvas case, and it used to live in the closet. Apparently, my mother had gotten it for him, hoping he would learn how to play, I suppose, and serenade her. So I began to pick it up and just started banging on it. In our tiny apartment in New York City, there was that guitar and there was a little upright piano. It was really small. Pots and pans, that was how I started [laughs]. Banging on pots and pans, the guitar and the piano.”
Inner City Influence
“Curtis Mayfield’s Super Fly album was influential for me. I loved his music. I loved his songwriting, I loved his voice. Even as a kid, I understood that his voice really represented the inner city. It represented the street. His music sounded like the streets to me. I saw Super Fly when I was a kid and I loved all that music – Freddie’s Dead and Super Fly and all those songs. Yes, so Curtis Mayfield, definitely. A major educator.”
Team Slash
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more