As one of the world’s oldest music brands, Supro’s heritage goes all the way back to the very beginning of electric guitar and a good few decades before the transistor was mass-produced. In the 1950s, Supro’s inexpensive amps were used by a number of Chicago bluesmen, giving them an association that interested many of classic rock’s pioneers, most notably Jimmy Page, whose reputed use of a Supro on early Led Zep tracks did much to sustain the brand’s reputation after production stopped. Now, back and reinvigorated in the capable hands of Pigtronix pedal supremos Absara Audio, Supro’s catalog blends modern designs with tributes to past glories. This issue we’re looking at an all-new model with more than a few boutique twists: the Galaxy.
With its two-channel all-valve design, the Galaxy’s overdrive channel is the result of a collaboration between Absara’s David Koltai and long-time Supro enthusiast Bruce Zinky, who was Fender’s Custom Shop guru in the early 90s, with credits including the multi-award-winning Vibro-King, Tone Master and Prosonic… to name just a few. Meanwhile, the clean channel is derived from Supro’s Keeley Custom model – another collaboration, this time with effects pedal wizards Keeley Electronics.
Visually, the Galaxy is a smart if somewhat understated amp, with an almost square ply cabinet, smartly covered in black vinyl with a suede-textured black vinyl stripe bordered by black piping. The traditionally styled control panel features volume and tone controls for the clean channel, with gain, volume, bass mid and treble knobs for the overdrive channel and a global reverb level control. There are toggle switches to change channels and operate a boost function that works on both channels.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more