Fender’s Custom Shop guitars are the best the Californian company makes. And yet, within the Custom Shop itself, there is also another tier beyond that: guitars made by the company’s master builders, its most experienced and skilled luthiers, each of whom has their own signature style and specialisms. Dale Wilson’s guitars are particularly sought after, especially the exquisitely aged Relics he produces. But, like all the master builders, Dale is a hugely versatile guitar-maker and his talents are not limited to Relics – as his contribution to a series of ornate one-off Prestige instruments demonstrates.
Dale’s new Tapestry Telecaster was made in collaboration with the LA-based artist Pamelina who has worked on several high-profile guitars made in the Custom Shop. The resulting guitar is a dazzling one-off that takes its place alongside other unique pieces made by the Custom Shop’s top luthiers in the 2021 Masterbuilt Prestige collection. We join Dale to hear how a vintage Dobro inspired this remarkable guitar and why he thinks the pickups he used are the best pairing you can get for a Tele.
What’s the idea behind the Masterbuilt Prestige guitars?
“I guess they represent the best of what we’re doing at the moment and it tends to give to the builder free access to anything and everything that Fender offers, you know? It kind of lets us run wild with whatever. We could do that with pretty much all of our NAMM Show guitars. But this is just like, ‘Okay, just go all out on Prestige guitars.’ It’s supposed to be something that’s just wild and different.”
Why did you choose to work with Pamelina to produce the Tapestry Telecaster?
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more