This excerpt from a political biography of Naveen Patnaik details Odisha’s discredited political class after the super cyclone, retelling how rapturous Odias accepted Biju Babu’s heir as a messiah
THE twin-engine helicopter flew low, skirting over swathes of hills, valleys and fields. Having taken off from Bhubaneswar, the chopper was headed towards Thakurmunda, a speck of a town in the state’s interiors. From that height, the ground below looked picturesque. Plantations stretched mile upon mile, punctuated occasionally by rivers that cut across the terrain before vanishing into the horizon in a serpentine maze. Rolling hills gave way to small valleys, which in turn made space for another range of hills. Hamlets peeped out intermittently, the tin and thatched roofs of ordinary huts belonging to dirt-poor families glinting charmingly under the bright sun. Narrow pathways etched magical designs on the landscape, and brimming village ponds encircled by trees and the cattle wandering about gave the impression of uninterrupted bliss.
Nothing from the top betrayed the turmoil that the people of Odisha—which accounted for 4.8 per cent of the country’s land mass and 3.47 per cent of its population— had endured in recent months. A killer cyclone had ploughed through the state in October 1999, leaving 10,000 people dead and destroying everything in its wake. From the time it was carved out as a province in 1936, Odisha has been among the poorest Indian states. Though the state is culturally rich—home to temples, textiles, breathtaking tourist spots such as the mangroves of Bhitarkanika and the classical dance form Odissi—it barely caught the attention of the rest of the country except fleetingly, when the media reported on the chronic hunger and starvation there or on a natural disaster as big as the super cyclone.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee