The CJI, who retires in October, cannot give a ‘final verdict’ on Ayodhya, contrary to media speculation.
The long march to a decision on the Ayodhya dispute will have no shortstops any time before the 2019 Lok Sabha elections. Misleading headlines have been feeding a perception that the Supreme Court has reserved judgment on the Ayodhya dispute. In reality, however, the apex court has merely heard arguments, reserving its order, on a technical issue—should the basis for the 2010 Allahabad high Court ruling first be decided by a Constitution bench of the SC or will the 1994 Ismail Faruqui ruling apply?
Chief Justice of India Dipak Misra, who retires on October 2, has heard and reserved judgment on many important matters till now. This includes the recent verdict decriminalising homosexuality. The appeal against the 2010 Allahabad HC judgment verdict is without doubt one of the most highprofile matters pending in the top court, but it is not likely to be decided anytime soon. The issue before the CJI’s bench is more basic. The Sunni Waqf Board has argued that the Allahabad HC judgment, which split the property into three shares, is based on a 1994 constitutional bench judgment titled ‘Ismail Faruqui’ where the majority view of the judges was that “a mosque is not an essential part of the practice of the religion of Islam...”. Appearing for the Waqf Board then, senior advocate Rajiv Dhavan had said that whether a mosque was integral to the practice of Islam (or not) should be decided by a sev enmember constitutional bench, larger than the 1994 bench which had five judges.
Justice Misra will not get to decide the appeals against the Allahabad HC verdict before he retires. One reason is that the only point before the CJI and judges Ashok Bhushan and Abdul Nazeer—the three are part of a bench constituted by Justice J.S. Khehar last year—right now is whether the basis of the Allahabad HC ruling should go to a Constitution bench.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee