Akalis are seen as useless amid economic distress; the Congress is patchily popular. It’s the AAP many in Punjab are turning to.
FROM the fog that descends on winter nights over Punjab’s yellow and green mustard fields emerges a glimpse of an unpredictably theatrical electoral verdict. Cruising through the state’s verdant malwa and Doaba regions, where lie about ninety of its 117 assembly constituencies, it seems the Aam Aadmi Party has parachuted deep into the electoral terrain here.
Two months ago, the usual pre-election debates dominated Punjab: The scourge of drug abuse, the related grouse over lack of employment and the decline of agriculture. From contributing almost 60 per cent to the state GDP in the ’70s, the share of agriculture declined to under a quarter in the last decade, while the agricultural growth rate twice plunged into the negative zone.
These factors were steadily eroding the Shiromani Akali Dal vote bank, and creating support for the Congress and AAP. But then, the Centre’s demonetisation, announced in early November, dramatically changed scenarios. Where discontent and anti-incumbency were already writ large, the war on black money added another deep wrinkle to the pre-electoral process.
In several villages in the Mansa, Moga, Sangrur and Bathinda districts, many people say that they will shift allegiance in the upcoming state polls to the ‘jhadoo wali party’ due to dissatisfaction with the ruling coalition. A good many say they are undecided, but are also considering AAP.
These districts are part of Punjab’s Malwa region, with people considered to be boldly outspoken. The reason they cite most for considering a party with no track record in Punjab is their anger against existing alternatives, which they perceive to have fostered a wide chasm between the rich and poor. The Congress is popular, especially in Patiala—Amarinder Singh’s hometown—but many more seem to hold the view that even that party has allowed the poor to turn poorer and the rich richer.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee