The Purusha Sukta glibly drops the four varnas on Hindus. Lit by a holy rage and unwavering in scholarship, Ambedkar exploded the very purity of the chaturvarna.
The Mallik brothers, Jagmohan and Harimohan, are as different in temperament as day is with evening. The elder, Jagmohan, is a rationalist, a past master in the art of disputation. The younger brother, Harimohan, is a devout soul, faultless in his services to the cow and the Brahmin. While the latter indiscriminately pays obeisance to the gods, the former only acknowledges what he terms the sajib or the ‘full-of life’. To counter Harimohan’s fervour for set rituals and daily recital of scriptures, Jagmohan, in line with his idea of the sajib, regularly hosts meals for the ‘animated’ in the shape of Muslims and untouchable Chamars. And then, in order to neutralise the sins incurred by his elder brother’s unheard-of effrontery, Harimohan feels compelled to organise elaborate feasts for Brahmins, and Brahmins alone. Sick and tired of the endless cycle of defilement and purification, the younger brother at one point approaches the precincts of (colonial) law. Harimohan pleads that because of his despicable predilections, Jagmohan has forfeited the right to continue as a trustee of the Mallik devatra property. To get the judgment in his favour, Harimohan does not need to resort to bribes or other such dubious means. For, although an elite caste Bengali by birth, Jagmohan has no compunction in declaring in court that he does not believe in gods, has no respect for tab oos surrounding diet, has no objection to dining with Muslims, and, of all things, he does not know from which part of Brahma’s body Muslims have sprung. Following this candid testimonial, the district judge faces no legal obstacle in releasing Jagmohan from the responsibilities of the ‘sacrosanct’ property’s trusteeship.
The two brothers make their first ‘public’ appearance in Rabindranath Tagore’s 1916 novel Chaturanga (Quartet).
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
No Singular Self
Sudarshan Shetty's work questions the singularity of identity
Mass Killing
Genocide or not, stop the massacre of Palestinians
Passing on the Gavel
The higher judiciary must locate its own charter in the Constitution. There should not be any ambiguity
India Reads Korea
Books, comics and webtoons by Korean writers and creators-Indian enthusiasts welcome them all
The K-kraze
A chronology of how the Korean cultural wave(s) managed to sweep global audiences
Tapping Everyday Intimacies
Korean filmmaker Hong Sang-soo departs from his outsized national cinema with low-budget, chatty dramedies
Tooth and Nail
The influence of Korean cinema on Bollywood aesthetics isn't matched by engagement with its deeper themes as scene after scene of seemingly vacuous violence testify, shorn of their original context
Beyond Enemy Lines
The recent crop of films on North-South Korea relations reflects a deep-seated yearning for the reunification of Korea
Ramyeon Mogole?
How the Korean aesthetic took over the Indian market and mindspace
Old Ties, Modern Dreams
K-culture in Tamil Nadu is a very serious pursuit for many