The PM’s appropriation of Gandhi is helping the BJP shape a new political persona
Cultural amnesia. It’s what makes historically ironic appropriations possible. amid a violent anticowslaughter campaign in many states, these words by Mahatma Gandhi have a prophetic ring to them: “How can I force anyone not to slaughter cows unless he is himself so disposed? It is not as if there were only Hindus in the Indian Union. There are Muslims, Parsis, Christians and other religious groups here.” He said it during a prayer discourse on July 25, 1947.
The NDA government is all set to launch a year-and-a-half-long commemoration to mark 100 years of the Satyagraha movement, launched on April 11, 1917. Exactly a century ago to the day, the Mahatma started his influential Satyagraha (literally, ‘holding on to truth’) movement from Bihar’s Champaran district. The celebrations will culminate in Gandhi’s 150th birth anniversary in 2019, to be marked by a bigger spectacle. It could hardly have escaped national attention. The BJP’s embrace of Gandhi and national icons, from Sardar Patel to Bhagat Singh and B.R. Ambedkar, is helping the party forge a new political persona.
Satyagraha was pivotal in the struggle against the British rule, rooted in a philosophy of upright moral courage and non-violent resistance. The proposed Champaran celebrations are being called “Swach chagraha” or holding on to cleanliness. Gandhi will come alive through his own writings, speeches, video footages and photographs in a country that has mostly forgotten him. Cloud-based shows on Gandhian tenets, the civil disobedience movement, gram swaraj—the concept of villages as vibrant and self-sufficient ‘republics’—should transfix viewers. The celebrations will pan out from the first places where the Satyagraha movements occurred: Champaran in Bihar and Kheda and Ahmedabad, in Gujarat.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee