These lives were made and unmade by 12 stories that hit the headlines before fading out in the past two decades
REMEMBER Joginder Sharma’s famous last ball in 2007? Or the Kashmiri boy, Qazi Touqeer, who won Fame Gurukul in 2005? How about the young computer graphics trainer, Rizwan, who ended up dead on railway tracks near Dum Dum? Or the Shivani murder eight years before that? Maybe hazily…for we live in amnesiac times, pockmarked with phases of sensory intensity, as the news tickers strafe our minds. The wish to document every second runs through us like a compulsive obsessive disorder… yet, strangely, our experience of living has perhaps never been as fragmented and elusive as it is now. We don’t see the swirls and indents in our morning cup of tea…unless digitised in our phonecams. Out on the streets, we see people as atoms in motion, non-phrasally, as it were. Bursts of coherent feeling come only on Twitter, with that same explosive T20 brevity.
When did we become what we are now? We have a dramatic, if rough, marker: the turn of the millennium. The more we look at it, the more we see a cusp phase where the old and the new collided. Take two episodes of violence from two decades ago. The villages of Jehanabad then stirred national horror with caste massacres: feudal violence, from an older world. Around then, a Hindu zealot in Odisha’s Kandhamal burned a Christian missionary along with his two sons. A new genre of violence was inaugurated that’s still with us. Difference? In 1999, it evoked collective shame; today it’s a numbing normal.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee