Every church sings its own soft part. In Mizoram, the faithful looks up to it for guidance and for free and fair polls.
It's hard to find visible signs of an impending election in Mizoram. A rare poster pops up on a moss-covered cliff-face around a corner. A chair stands at the entrance of an empty campaign office, set amid cheek-by-jowl shops. At the headquarters of the Mizo National Front (MNF), a young party worker watches highlights of a Premier League football match on his smartphone. Mizoram will vote on November 28 to elect a new government, but its picture-postcard hilltop capital Aizawl seems disinterested in the democratic process. this is a laidback city basking under the mellow November sun, watching the world go by. In front of a big graffiti of the state election department urging people to vote, young men and women sit on a row of parked motorbikes and discuss football, cinema and everything else but elections.
The real “action” was happening on the street in front of the state assembly, where thousands of people—men and women, young and old—were chanting and singing in a mass demonstration against the state’s chief electoral officer S.B. Shashank. For two days, the protests continued as rival political parties came together for what was described as a matter of Mizo pride. The Election Commission finally decided to replace Shashank, who had angered Mizos by allowing Bru tribals to vote at their camps in Tripura. An estimated 30,000 Brus are living in six camps in Tripura since they fled Mizoram following ethnic clashes in the 1990s. Mizo organisations say the Brus have refused to return despite signing a repatriation agreement with the Mizoram government.
Among the protesters was one carrying a placard: “Don’t take Mizos for granted.” “Peaceful elections since 1972,” reads another, underlining the year Mizoram became a Union territory.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee