The Rakhigarhi project shines light on an old enigma: the Harappans were genetically ‘Ancestral South Indian’ stock. Which is to say, all of us in South Asia are their children.
JUST three-and-a-half hours due northwest of Delhi, the GPS takes you unerringly to ancient India. Not a mythic world, but one made of bricks dried in an age-old sun. It’s a part of Haryana that can pass, at one glance, for Assam: the wet green of paddy stretches to the flat, misty horizons. Some spans of time are as endless—it boggles the mind, for instance, to think that the duration between the early onset of civilisation and its decline in these parts is longer than what separates us now from Harappa.
Or shall we say, Rakhigarhi.
Yes, the shift in centre of gravity is as fundamental as that. The Harappan site at Rakhigarhi, in Hisar district, is the biggest one known yet—at up to 550 hectares, it’s more than twice the size of Mohenjodaro. It’s also the one with the deepest time-scale, taking shape at 5500 BC and running four millennia. The nearby satellite site of Bhirrana, part of this Bronze Age metropolitan network, is even older: it offers the classic arc of evolution, beginning from early Neolithic farming around 7500 BC. Almost 10 millennia ago. Even with India’s endless capacity for imagining deep time, that’s serious depth. On the edge of modern Rakhigarhi village, buffaloes amble out of a pond placidly, unmindful of passing archaeologists or of the runic mysteries glimmering under the undulating mounds.
Decades ago, Wazir Chand would come to these mounds as a dreamy little boy tending to his buffaloes. He started picking up pieces of terracotta bangles, shards of pottery, little bric-a-brac…
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee