The one thing that can change India’s permanent status as World Cup outsider is a revolution from the ground up.
Beneath the frothy bubble of World Cup hysteria that has Indian football fans by the scruff of their necks, lies the fact—flagrant, unchanged and depressing in its inevitability: India, a nation of 1.35 billion souls, have never played in a football World Cup in its 88year history. Some may argue thus: Didn’t India make it to the 1950 World Cup, held in Brazil? The dispiriting answer to that is, that ‘qualification’ came by default, after several Asian countries withdrew after qualifying—and then, the Indian football federation didn’t send a team.
It is shocking how shortsighted Indian football administrators denied a batch of naturally-talented players an opportunity to experience the thrill and pressure of competing in a World Cup 68 years ago. It is all the more bewildering since this brazen act of apathy happened in the middle of Indian football’s ‘Golden Era’—from 1948 to 1964—during which India won several titles under the legendary coach, Syed Abdul Rahim. India’s dismal global football record—and this in a popular sport played widely for a century—includes only a couple of Olympic Games appearances.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Layers Of Lear
Director Rajat Kapoor and actor Vinay Pathak's ode to Shakespeare is an experience to behold
Loss and Longing
Memories can be painful, but they also make life more meaningful
Suprabhatham Sub Judice
M.S. Subbulakshmi decided the fate of her memorials a long time ago
Fortress of Desire
A performance titled 'A Streetcart Named Desire', featuring Indian and international artists and performers, explored different desires through an unusual act on a full moon night at the Gwalior Fort
Of Hope and Hopelessness
The body appears as light in Payal Kapadia's film
Ruptured Lives
A visit to Bangladesh in 2010 shaped the author's novel, a sensitively sketched tale of migrants' struggles
The Big Book
The Big Book of Odia Literature is a groundbreaking work that provides readers with a comprehensive introduction to the rich and varied literary traditions of Odisha
How to Refuse the Generous Thief
The poet uses all the available arsenal in English to write the most anti-colonial poetry
The Freedom Compartment
#traindiaries is a photo journal shot in the ladies coaches of Mumbai locals. It explores how women engage and familiarise themselves with spaces by building relationships with complete strangers
Love, Up in the Clouds
Manikbabur Megh is an unusual love story about a man falling for a cloud. Amborish Roychoudhury discusses the process of Manikbabu's creation with actor Chandan Sen and director Abhinandan Banerjee