Hilary Mantel Takes Thomas Cromwell Down
The Atlantic|April 2020
As the author’s remarkable trilogy ends, her epic hero’s self-mastery is newly in doubt.
Judith Shulevitz
Hilary Mantel Takes Thomas Cromwell Down

In the first two novels of her trilogy about Thomas Cromwell, Wolf Hall and Bring Up the Bodies, Hilary Mantel sings, as it were, the poem of his rise. This is Cromwell as epic hero. The son of a blacksmith and brewer from the hamlet of Putney, Cromwell has become both chief minister to King Henry VIII and the most powerful man in England aside from the king; some say he is more powerful than the king. Mantel’s Cromwell is omniscient—he has spies everywhere— and omnicompetent. He excels at ironwork, the culinary arts, the cloth trade, finance, civil engineering, legislation, and diplomacy. His wit is quick and endearing, except when it’s cutting. Above all, he plays Henry’s court with consummate dexterity, always several moves ahead of potential opponents.

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