A wedding is under way – the bride and groom are standing under a colourful arch of flowers, lightly touching heads; the aisle is lined with candles, and rings are about to be exchanged. Somewhere from the back of the church a photographer shouts out, ‘Stop, can we do that again please, I missed the shot.’ Despite appearances this is not a real wedding – it’s a carefully staged event designed to help photographers hone their skills. ‘It’s like shooting a real wedding, but without the pressure,’ laughs Tiffany Tangen, events manager at Wex Photo Video. ‘We have a bride and a groom, but we can say “Stop, bring it back; this is where you need to take your shot.”’
Wex Photo Video is one of a number of companies to see the commercial potential in hosting one-day events, seminars and workshops. By laying on fake weddings, portraiture sessions, and lighting masterclasses, for example, photographers can experiment with techniques and equipment, which ultimately encourages them to invest more time and money in their hobby. Prices for these events can range from £0-£100 or more, so it’s important to be well prepared for the experience. Prior to booking, some photographers might be concerned that their technical knowledge will let them down, or that they will come home with the same images as everyone else, but this doesn’t have to be the case. To alleviate these concerns, I spoke to three leaders in the photo events industry.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.