Working instinctively during a portrait shoot is often better than trying to create images to fit pre-set ideas, says Harry Borden
For me, improvisation is a vital part of the creative process. When I’m shooting a portrait, I enjoy looking for something that hasn’t been done before and ending up with images I hadn’t anticipated. Tampering with the instinctive approach and plundering pre-existing ideas is likely to produce images that are contrived and hackneyed. I believe it’s better to react to what’s around you and riff off things, because then you get the unexpected.
That’s what happened when I did a portrait shoot of the actress Rosamund Pike in September 2006. I had been commissioned to photograph her for the Sunday Telegraph magazine, to illustrate an interview. At the time, she was 27 and in the early stages of her successful screen career, following her debut in the Bond film Die Another Day four years earlier.
The shoot took place in Jasmine Studios, which was a studio complex in Shepherd’s Bush, West London. It was a great location which had really good daylight, which I generally prefer to use, and was equipped with lots of other light sources. There was nothing chintzy or retro about the studio, which is much more the fashion these days; it was just a cold, empty and very functional space.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
140 years of change
AP has become the world’s oldest surviving consumer photo magazine because we have moved with the times, says Nigel Atherton
Preserving history in platinum
A deep dive into the meticulous art of platinum printing, and the collaboration between the Royal Geographical Society and Salto Ulbeek. Mike Crawford explores how they brought historical photographs to life with enduring beauty and precision
Life in the past lane
What was life like for an amateur photographer in 1884? John Wade takes a trip back in time
Choice cuts
How many trillions of photographs must have been taken in the past 140 years? Amy Davies asked some of our regular contributors for their favourites....a difficult task, to say the least
How good a camera can you buy for just £140?
Three members of the AP team see what they can find for the money
Round Five: The Best of the Rest
The APOY judges choose their favourite images that didn’t make the top ten of our Landscapes category
Amateur Photographer of the Year
Here are the top ten images uploaded to Photocrowd from Round Five, Landscapes, with comments by the AP team and our guest judge
FILM STARS A lifetime of landmarks
Cameras that hit the headlines between then and now. John Wade is your guide
140 years of Amateur Photographer
As AP celebrates its 140th birthday next month, Nigel Atherton looks back at its glorious past
John Wade considers...World War II: Home Front 1940, by A.J O'Brien
Say the word 'Wall's' to those of a certain age and two things spring to mind: sausages and ice cream.