Canon, Sony and Nikon have the lion’s share of the full-frame mirrorless camera market and there’s a growing array of excellent lenses available in all three mount options. They range from inexpensive, fully manual affairs from independent manufacturers to prograde lenses with all the bells and whistles, and heavyweight price tags to match. Top-quality lenses are always nice to have but there’s rarely money to burn, especially at this time of year, so it pays to choose wisely.
Many photographers view a wide-angle prime as a must-have lens for all sorts of reasons, from landscape and architectural shooting to street photography, environmental portraiture and, heavens above, for capturing a starry night sky. But while fully manual lenses are often relatively cheap to buy, the lack of autofocus and the need to adjust the aperture via the lens’s onboard control can rightly feel like a retrograde step in the digital age.
The good news is that budget-friendly wide-angle autofocus lenses are now available for mirrorless cameras, typically with a fairly fast f/2.8 aperture rating. Better still, they tend to have a compact and lightweight construction that sits well with typically svelte mirrorless bodies. The upshot is that for an ‘affordable’ outlay, you can grab a wide-angle prime that’s ideal for everyday shooting or for popping in a corner of your gadget bag whenever you need it.
We’ve rounded up some contenders, including own-brand Canon RF and Nikon Z lenses, plus a couple of attractive independents from Samyang and Tamron, designed for Sony E-mount cameras. The Canon 16mm lens gives the most generous viewing angle of the bunch, whereas the Nikon 28mm is naturally the most moderate in this respect, with the Samyang 18mm and Tamron 20mm taking the middle ground. Here’s how they compare...
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents