Even with the incredible advance in the technology that digital photography has brought us, the important elements that go into taking a great picture have not changed at all. Here is why.
I started representing photographers in 1978 and, since then, I have managed many great photographers. Back then, the UK was leading the way in commercial photography, but there were only a handful of photographers who had ploughed the path that led them to be considered great. These few were breaking new ground, while the rest were just following what had gone before.
Over the years, although the number of commercial photographers has exploded, the number of great photographers has not increased exponentially. And although the change in the technology of photography has been quite remarkable, making it easier to take a picture, to edit, to post-produce and to print, we still do not see a plethora of great photographers. Over the next few pages, I’ll look at how the greats approach editing, what makes a photographer unique, and why quality always wins over quantity.
It is not the equipment a photographer uses that matters or even the advances of technology with that equipment. What has always been and always will be important, is shooting with your ‘heart’. To be precise, the common denominators that will create unique work are heart, honesty, soul and passion.
These should always be the driving force behind each part of what makes up the trinity of photography – deciding what to shoot, how to shoot it and the edit. Stick to these criteria and the result will be a body of work that creates a recognised unique style that can only belong to one photographer.
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents