Matt Parry
Matt is an award-winning travel photographer and a regular contributor to a range of magazines. His love for film was reignited by his day job as marketing manager for Ilford. See more of Matt’s work: @mattparryphotography www.mattparryphoto.com
Digital photography heralded an evolution, not just in how we capture images but also how we consume them. This change eventually rendered shooting on film all but redundant in a commercial capacity as professional photographers made the switch to digital.
The game-changer was that digital allowed rapid delivery of images. Online content is instant and printed media has suffered as a result. Social media and smartphones played their part too, as content creation was no longer exclusive to pros or media companies.
Prerequisite skills aside, the ability to quickly take, edit and share an image online meant that everyone had the potential to become a ‘photographer’ and to generate an income from their photos or social media content. Expectations changed and the industry with it, but still film refused to die.
Resting dormant from the collective consciousness of many photographers, film has always retained a loyal and passionate fan base. Now, many are returning to this once abandoned medium. Find out what makes film so special and whether switching back to the tried and tested methods could work for you.
Who is shooting film and why?
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents
