01 FOLLOWING THE RUBBER TRAILS Dutch driver Max Verstappen rounds a bend in his Aston Martin Red Bull Racing RB15 car during the 2019 Spanish Grand Prix.
Lens Canon EF 400mm f/2.8L II USM
Exposure 1/5000 sec, f/2.8, ISO500
ON THE eve of the Russian Grand Prix, it’s raining in Sochi, and Vladimir Rys tells me the forecast is wet for the whole week. The timing of a pit stop to change tyres from ‘slicks’ to ‘wets’, may be the crucial difference in the tight Formula 1 race between reigning champion Lewis Hamilton and the current championship leader Max Verstappen. Only a handful of points separate the two front runners, with just seven rounds to follow this weekend’s round 15 race of the Formula 1 season. Furthermore, there is tension in the air following the spectacular crash between the two drivers in their previous meeting at Monza, home of the Italian Grand Prix.
Hamilton was quick to denounce Verstappen for a manoeuvre that resulted in Verstappen’s Red Bull lifting off the kerb and landing on the British driver’s Mercedes, taking both drivers out of the race, with Hamilton narrowly missing serious injury. Vladimir missed that race after contracting COVID-19, but he’s back on track, ready to photograph the practice and qualifying sessions before the big race itself, where all eyes will be on the next clash between the two world-famous drivers…
Will you be looking for pictures of Hamilton and Verstappen together before, during, and after the race?
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber ? Sign In
This story is from the {{IssueName}} edition of {{MagazineName}}.
Start your 7-day Magzter GOLD free trial to access thousands of curated premium stories, and 9,000+ magazines and newspapers.
Already a subscriber? Sign In
The Art of Copying Art - James Paterson shows you how to use your Canon gear to capture artwork and paintings the right way with simple camera and lighting skills
Whether you want to capture a painting like the above, digitise old prints or reproduce any kind of canvas, there's real skill in capturing artwork with your camera. Not only do you need the colours to be accurate, you also need to master the spread, angle and quality of the light to minimise glare and show the work at its best.This painting by the artist Bryan Hanlon has a wonderfully subtle colour palette. To reproduce the painting in print and digital form, it needs to be captured in the right way.
Fright night
Canon photographer and digital artist Alexander loves to craft incredible fantasy scenes with a spooky horror twist
Sharpen your shots with DPP
Sharpening a digital image also increases contrast at the edge of details
CANON ImagePrograf PRO-1100
Deeper blacks, better bronzing, greater lifespan and 5G Wi-Fi -Canon's new printer is full of new tech, says
Canon's new 'kit lens' is actually a half-price f/2.8 trinity lens!
The Canon RF 28-70mm F2.8 IS STM lacks a red ring, but borrows premium features from its L-series siblings
DREW GIBSON
Pro motorsports photographer Drew on why he hasn't (yet) switched to Canon's mirrorless system, why old-school techniques can be the most reliable, and the lessons learned from more than a decade shooting the world's biggest car brands
Up in smoke
Make a smoky shape in Affinity Photo and get to grips with the amazing Liquify Persona under the guidance of James Paterson
Expand your creativity with Generative Fill
Photoshop's Al-powered feature brings revolutionary new tools to image editing. James Paterson reveals all...
Turn your images into vintage postcards
Wish you were here? Sean McCormack explains how you can give your summer photographs a vintage postcard look
The Angel Malibu
Light painting an American movie producer in the Wadi Rum Desert in Jordan was a highly unlikely evening out for David!
